

- GARRITAN ORCHESTRA OPINION 2018 MOD
- GARRITAN ORCHESTRA OPINION 2018 MANUAL
- GARRITAN ORCHESTRA OPINION 2018 PRO
Enough legato notes played on a clarinet will seem odd because there's no time for the player to breath. There are plenty of other little details to think about. Often the solution there is to use a separate tremolo sample, so changing samples in a performance might be how you can create the articulations you want. Also it's almost impossible to perform perfect tremolo - the timing will be just ever so slightly skewed. The upbow sounds different from the downbow. So for drums, taking every odd hit (the first, third, fifth, etc.) and making it slightly louder, and then taking every even hit (second, fourth, sixth, etc.) and moving it slightly forward in time can create a more realistic sound.Ī similar thing applies to bowed string instruments. By that I mean, the two hits are not spaced perfectly evenly, usually every other hit is slightly early, and the hit that's on time is usually slightly louder. Also, when playing a repeated pattern, it's very difficult for a human to not "swing" it slightly. When humans play drums, they use both hands, and virtual no drummer has identical hands. Two examples are drums and violins (and other members of the strings section).
GARRITAN ORCHESTRA OPINION 2018 MANUAL
This is especially effective for velocity.īeyond that, a very effective but also very time consuming technique is manual editing, informed by an understanding of how the real instruments work and how they are played.
GARRITAN ORCHESTRA OPINION 2018 PRO
Some DAWs (I know Pro Tools does this) allow you to randomize the parameters of a group of selected MIDI events all at once.
GARRITAN ORCHESTRA OPINION 2018 MOD


He has a control surface with several faders on it, and each fader is mapped to a different MIDI control message that changes a performance parameter on the virtual instrument. I just watched a series of videos of film composer Hans Zimmer who mocks up all his soundtracks using software and virtual instruments so the directors can hear what it's going to sound like before they record it with a real orchestra or other musicians.
